Your Banner here 1000,000 times for free with Free Banner Advertising

Ashokenagar Natyaanan

The Face of Theatre

Claim your free advertising page NOW! 7.8 Billion Available

It is totally free to advertise here on
Free Internet Advertising
Start Advertising Now
Claim your FULL FREE PAGE advert today!

Seperator


 

About Us

 

 

What is Natyaanan?

 

Natyaanan (The Face of Theatre) was established as a there group in Kolkata, India, in 1989. Natyaanan works mostly in Bengali, the seventh most spoken language in the world, Born as a very humble theatre group, Natyaanan has inched its way gradually to become a moving force in contemporary Bengali theatre, having made its mark with several exciting productions over 19 years of its existence.

 

Who is Natyaanan?

 

Natyaanan is an aware theatre group that believes theatre to be instrumental in bringing about social change and upholding ethical values. Consequently, “correctness of thought” is the thriving force of the group. Natyaanan upholds a positive attitude towards people and society, with an eye to protest social ills and bring about sociopolitical change.

 

Wherefrom Natyaanan?

 

The end of the eighties signaled a massive change in the political climate of the world as well as Bengal. Bengali theatre was not spared. Most of the famed directors ware aging fast and befuddled by the sweeping changes, were mostly spent forces. A “catharsis” was taking place with the arrival of crop of young directors of a new generation. The time was witnessing the emergence of a new king of sensitivity in the theatre that bore witness to the changing profile of the pet themes that had hitherto dominated Bengali theatre. The inquision of various neo-imperial forces into the political environment of India had rendered the socialistic

style of political theatre powerless. The old guards of Thespians were losing enthusiasm for producing serious anti-feudal, political plays and were fast looking for commercially viable productions that agreed with the trade winds of fashion and public taste. Natyaanan arrived out of this necessity to restore the social and cultural relevance of theatre in Bengali life, its value as a socially and politically responsible medium of artistic expression.

 

Why Natyaanan?

 

Natyaanan, decidedly, has opposed the rule of commerce in the theatric in the face of the severest opposition from television and the cinema. It has worked relentlessly in favour of promoting and producing a kind of theatre that seriously thinks of the times and mediates on the issues and the themes that affect our lives both produced over the years reveals its goals. Natyaanan has freely drawn from both Indian as well as foreign drama. While producing a mumber of Bengali plays. Natyaanan has also produced adaptation of Chekhov, Ben Johnson, Bertolt Brecht, Eugene O’Neill and J M Synge.

 

Whereto Natyaanan?

 

Natyaanan desires to change the face of Bengali Theatre through its dogged efforts to fight against all odds to keep producing good, total, socially and politically meaningful, humane theatre. We want to ensure the survival and good health of Bengali theatre in climate where people are increasingly living life vicariously through the virtual realities of television and the internet. Natyaanan remains rooted in the real, tied to all that is relevant to our human condition.

 

 

 

 

Our Repertoire


Year of First Show

Play

Playwright &Translator

or Adaptor

Director

1990

Prastaab

(The Proposal) 

Anton Chekhov / Ajitesh Banerjee

Bhaskar Sengupta

1990

Choreder Lajja Holo

(Bashful Thieves) 

Shyamaltanu Dasgupta

Bhaskar Sengupta

1991

Kenaram Becharam

Monoj Mitra

Utpal Bhattacharya

1992

Striascharitam

(The Feminine Character) 

Bhaskar Sengupta

Bhaskar Sengupta

1993

Chhagal (The Goad) 

Sarbeshwar Dayal Saxena

Kanad Ghatak

1994

Talpatar Sepai  

(The Toy Soldire) 

Novendu Sen

Kanad Ghatak

1995

Srigal Bamu (Volpone) 

Ben Jonson / Indrashis Laharry

Kanad Ghatak

1996

Darkari Bilamba    (Necessary Delay) 

Jotishman Chatterjee

Chandan Sen

1997

Daradi

 (The Compassionate) 

Arup Sankar Maitra

Chandan Sen

1998

Continuity

Indrashis Laharry

Chandan Sen

1999

Senora Karar Rifle

(Senora Carra's Rifle) 

Bertolt Brecht

Chandan Sen

1999

Nuraldeener Sarajibon

(Nuraldeen' Lifetime) 

Syed Shasmul Haq

Chandan Sen

2001

Param Hanser Dal

(The Swan Folks) 

Chandan Sen

Chandan Sen

2001

Basana Brikshamuley               (Desire Under The Elms) 

Eugene O'Neill / Sudipto Chatterjee

Chandan Sen

2002

Birpurus 

(Playboy Of The Western World)

J M Synge / Sudipto Chatterjee

Sudipto Chatterjee

2003

Abbulish

Jotishman Chatterjee

Chandan Sen

2004

Surya Shikar

(Hunting The Sun) 

Utpal Dutta

Chandan Sen

2004

Mantor Akash

(The Ske of Manto) 

 

Chandan Sen

2005

Sunetra

Jay Sen

Chandan Sen

2006

Astitwer Akar  

(The Shape or Existance) 

 Haro Bhattacharya

Chandan Sen

2007

Hirok Rajar Deshe

(In The State of Hirok King) 

Satyajit Roy / Indrasis Laharry

Chandan Sen

2008

Borodin (X-mas) 

Chandan Sen

Chandan Sen

 

 

Governing Comitee 2009 – 10.

 

Executive Body

 

President / Director: Mr. Chandan Sen.

Vice President / Asst. Director (2): Mr. Panchanan Banerjee.

Secretary / Asst. Director (3) : Mr. Raja Banerjee.

Acting Sectary / Asst. Director (1): Mr. Shantilal Mukherjee.

Assistant Secretary: Mr. Rajesh Karmakar.

Treasurer: Miss.  Soma Naha, Mr. Rajkumar Panda

 

 

 

Other Executive Members

 

Rina Banerjee, Madhu Majumder, Swapna Bhawal, Swapan Das.

 

 

 

 

Members

 

Shubhomoy, Shampa, Bappa, Basu, Monotos, Paromita, Raju, Rajat, Bhaskar, Rupam, Debashish, Debdeep, Pradeep, Bishnu, Aritra,

Raja (Choto), Sumit, Swadhina, Jayeeta, Madhumita,

Tapas, Soma Chatterjee, Dipa, Madhumita,

 Biplab, Mithun, Dipu, Nandadulal

 

 

 

 

From next January and onward, we decided, we will perform our own shows only at Sujata Sadan, Hazra More, Kolkata. So, you, our valuable audiences and well-wishers, are requested to stay with us and we demand that you will not be disappointed with our productions.

 

Our Running Productions Are:

 

  1. Continuity
  2. Surya Shikar
  3. Hirok Rajar Deshe
  4. Abbulish.

 

For Call Show Please Sontact:

 

      Mr. Shantilal Mukherjee – 9433050102.

      Mr. Pachanan Banerjee – 9830377413.

      Mr. Raja Banerjee – 9748707308.

 

 

To link to this page please use the following code.

 



Claim Your FREE Page Today >> Start Advertising Now


Disclaimer: Free Internet Advertising is a free service that allows advertisers to write and publish their own page live. If you feel the content on this page is offensive in any way please report it.